Rising R&B soul artist Jamal Roberts delivers heartfelt emotion with his single “Perfect For Me,” celebrating love that embraces imperfection. The Mississippi native blends smooth vocals with intimate lyrics about connection and devotion, highlighted in lines reflecting deep admiration. Produced by Madelynn Elyse and Nick Sarpa, the track showcases Roberts’ soulful artistry and marks another step in his rising career.

With the release of her new single “Bitch,” Lizzo pairs a bold, feminist anthem with a striking black-and-white visual. Produced by Ricky Reed alongside collaborators, the track flips a once-derogatory label into a statement of confidence and self-possession. The circus-themed video amplifies that message, showcasing Lizzo in full command as she celebrates independence and identity. Built on echoes of Meredith Brooks and Missy Elliott, the record doubles as both homage and declaration.

After four years of growth and self-reflection, India Shawn returns with her EP Subject To Change, a six-track project exploring life’s transitions and emotional fluidity. Released via VANTA Music, the sonically rich work is executive produced by D’Mile and features Lucky Daye on “Cotton Candy Blvd.” Highlights include “Til’ Infinity,” “Multiplicity,” and the Billboard-recognized “Rain On Me,” marking a natural evolution from her BEFORE WE GO era.

After a decade-long hiatus, The-Dream returns with “Bring That Body,” a smooth R&B and hip-hop blend that fits seamlessly into his catalog. The track explores desire for someone already taken, as he confidently positions himself as the better option while still expressing genuine admiration. His controlled vocals and late-night energy drive the song, balancing charm and persuasion. Released via Radio Killa Records and Republic Records, it launches the next chapter of his “Love Saga” series.

Marking her return after three years away, Alina Baraz (a Cleveland native now based in Los Angeles) re-emerges with “Take Care Of You,” a warm, slow-burning R&B offering. Crafted with producers Iophiile and Los Hendrixx, the track surrounds her delicate vocals with lush, airy production. Centered on reassurance and emotional presence, Baraz leans into vulnerability and devotion, delivering a soothing, intimate record that signals a graceful continuation of her sound.

Tony Wilson, cofounder and bassist of Hot Chocolate and co-writer of the band’s iconic hit You Sexy Thing, has died at the age of 89. His death was announced April 24 via a Facebook post shared by family, which read, “Dad left us today. He left a lot of music behind… forever and ever.” His son, Danny Wilson, confirmed that the musician passed away at his home in Trinidad. No cause of death was disclosed. In a heartfelt tribute, Danny Wilson reflected on his father’s relentless dedication to music, noting that old diaries from the early 1970s revealed just how hard he worked to achieve success. Beyond his contributions to Hot Chocolate, Tony Wilson also wrote songs for artists including Herman’s Hermits, Mary Hopkin, and Mavis John. He described his father as both widely admired and often underrated, adding that the outpouring of tributes online underscored the lasting impact of his music. Wilson co-founded Hot Chocolate alongside Errol Brown in 1968 after the two met in London and began writing songs together. Their partnership produced “You Sexy Thing,” which reached No. 3 on the Billboard Hot 100 in 1975 and later resurged in popularity after appearing in films like The Full Monty, Boogie Nights, and Rat Race. Despite early success, tensions over royalties led to Wilson’s departure from the group, after which he pursued a solo career that ultimately failed to match his earlier achievements.

Kid Cudi has announced that M.I.A. is no longer part of his Rebel Ragers Tour following a controversial onstage rant that drew backlash from fans. The decision comes after M.I.A.’s May 2 performance at Dos Equis Pavilion in Dallas, where she was reportedly booed during a speech that included politically charged remarks. Clips of the moment quickly spread across social media, amplifying criticism and sparking widespread discussion online. Cudi confirmed her removal from the tour on May 4 via Instagram, explaining that he had previously made it clear he did not want offensive commentary at his shows. “After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants,” he wrote, adding that he was “very disappointing” and would not allow anyone on the tour to alienate his audience. The rapper emphasized that maintaining a respectful environment for fans remains a priority as the tour continues. The Rebel Ragers Tour, which kicked off April 28 in Phoenix, is scheduled to hit 30 cities across North America. While M.I.A. has been removed from the lineup, performers including Big Boi remain on the bill for all dates, with additional support from A-Trak, Dot da Genius, and Me N Ü on select stops.

Two years after 2024’s Crash, Kehlani returns with her self-titled fifth album Kehlani, released on her birthday, April 24. A 17-track effort led by the standout single “Folded,” the project leans heavily into the emotional core of ’90s and 2000s R&B, where yearning, vulnerability, and intimacy take center stage. Aided by a producers’ lot that includes the Stereotypes, Khris Riddick-Tynes, and Andre “Dre” Harris, the album aims to balance nostalgia with modern polish. However, while it attempts to build on the momentum of its critically praised lead single, its length ultimately makes it feel rushed and, at times, unfocused. The intro track, “Intro,” produced by Antonio Lamar Dixon and Khris Riddick-Tynes, sets a deeply personal tone. Kehlani closes the opening with the line, “I am Kehlani,” reinforcing that this project is less about outside expectations and more a reflection of her present self. Throughout the album, themes of heartbreak, reconciliation, longing, and emotional growth are explored with varying degrees of success. The guest-heavy tracklist yields mixed results (rap group Clipse ,ail it in on “No Such Thing,” while Lil Wayne’s brash energy on “Anotha Luva” feels disconnected from the album’s emotional core). In contrast, Big Sean, Usher, and Leon Thomas provide standout contributions that better align with the project’s tone. Lyrically, Kehlani shines brightest when it leans into vulnerability, revisiting the raw emotional storytelling that defined earlier eras of R&B. Still, inconsistent production and filler tracks like “Still,” “Pocket,” and “Out the Window” dilute its impact. The closing track, “Unlearn,” serves as a fitting finale, exploring her growth beyond past habits and emotional patterns, and offering a sense of closure. While the album captures flashes of brilliance and sincerity, it ultimately feels uneven, strongest when Kehlani slows down, reflects, and allows her emotional depth to take the lead. Standout Tracks: "Cruise Control", "Unlearn", "Shoulda Never", & "Lights On" Rating: 6/10 - Simon P Williams

North West makes a bold debut with her 6-track EP N0rth4evr , blending rage rap, emo, and hyperpop into a surprisingly distinct sound. Despite early expectations, the 12-year-old daughter of Ye carves out her own lane, moving beyond imitation with confident, experimental production. Standout moments like the title track showcase her fusion of nu-metal energy and melodic distortion. The project highlights North’s emerging identity, signaling a self-assured and creatively ambitious new voice in music.