NEW SINGLES —————————
Rising R&B singer Aaron Page returns with his new single “Waiting Room,” released via AWAL. Known for his hands-on, multi-instrumentalist approach, he crafts emotionally grounded music rooted in real experiences. The track explores the tension between temptation and loyalty, set against a late-night R&B backdrop with smooth, moody production. Following releases like “Lord Knows” and “Pretty Girls Like R&B,” the song continues his growing momentum, highlighting his ability to blend honesty, confidence, and relatable storytelling within a fresh wave of modern R&B.
British-Canadian singer and songwriter Essosa delivers playful honesty on her single “He’s Not All That,” pairing airy production with soft vocals and shimmering R&B textures. Inspired by a situationship gone wrong, the track captures the shift from romantic vulnerability to self-aware clarity. Born from a candid studio conversation about her dating life, the song reflects her realization that the person she once idealized wasn’t worth the energy. Blending humor with truth, Essosa taps into a relatable experience, highlighting the empowering moment of recognizing self-worth and moving on.
NEW ALBUM
RAYE returns with her sophomore albumTHIS MUSIC MAY CONTAIN HOPE., released independently viaHuman Re Sources. The 17-track, 73-minute project is a cinematic, genre-blending journey through heartbreak, introspection, and resilience. Opening with a reflective meditation on shared human experience, the album unfolds across seasonal themes, beginning in autumn. RAYE experiments with orchestral, jazz, rap, and pop influences, using each shift in sound to mirror emotional highs and lows, ultimately showcasing her bold artistry and storytelling depth.
PREMIERING NOW
DC-to-London artist Kelela returns with her new single and video “idea 1,” marking her first release since 2025’s live album In The Blue Light and signaling a new artistic chapter. She describes the song as a reflection on the emotional burden of witnessing and speaking truth in a world that feels chaotic, particularly from the perspective of Black women. Produced by Oscar Scheller, the track blends shoegaze textures with her signature experimental R&B and electronic sound. Directed by Erik Saltzman and Cameron Tidball-Sciullo, the video portrays collapse, rebirth, and emotional renewal.
Floridian rapper/vocalist Quail P debuts his official single “Wouldn’t Try Again” via Epic Records and TWNSHP, signaling a new chapter in his career. Built on stripped-back, guitar-driven production, the track blends soul influences with raw, introspective songwriting about walking away from an unhealthy relationship. Accompanied by a visual directed by Zayah, the release highlights his emotional delivery and growth as an artist. Following the success of earlier songs like “What You Got,” Quail continues to build momentum with a sound rooted in authenticity and self-awareness.
NOW PLAYING ———————————————————————
When it comes to love, PJ Morton is all about reciprocity, keeping it honest on his new single "Mutual". Co-written with rising artist EJ Ross, the track blends heartfelt lyrics with an upbeat groove as Morton reassures his love interest that their feelings are aligned. The release marks Morton's first since January’s "Fear (Hey Friend)", and its accompanying video reflects the longtime singer's emotional openness and a true two-way connection.
Queen of Hip-Hop Soul Mary J. Blige keeps it real in the video for her soulful new single 'Want Love', delivering a smooth, emotionally grounded vibe. Directed by Nico Scandiffio and produced by Beyond Studios, the visual captures Blige singing on a boardwalk as the sun sets, with the New York City skyline creating a stunning backdrop. Through heartfelt lyrics and imagery, Mary shares what she truly seeks in a partner, adding to what we can expect to be another major run in 2026.
Ne-Yo has launched a new musical era with his high-energy single “Up, Out, & Gone,” released March 27. While a press release frames the track as part of his country-inspired direction (highlighted by a recent Grand Ole Opry debut) the song itself leans far more into his signature R&B style. Instead, it thrives as an upbeat celebration of nightlife, escapism, and shared moments on the dance floor.
Rapper Swae Lee has released his debut solo album SAME DIFFERENCE, now available on all platforms. The project highlights his versatility, blending melodic rap with genre-crossing production, and includes features from Jhene Aiko, Post Malone, and others. Led by singles “FLAMMABLE” and “DON’T EVEN CALL,” the album reflects Swae’s desire to showcase all facets of his sound without limitations. Its release follows major milestones, including the album Black Beatles earning Diamond certification and renewed fan interest in Rae Sremmurd’s influential catalog and cultural impact.
Rising Louisiana artist Mariah Dawne, also known as MARIAH., delivers her Billboard-charting single “WON’T LET GO,” featuring The Colleagues. Written by Dawne and produced by Jamil Johnson, the steamy track captures love’s physical, emotional, and mental depths, blending sensuality and vulnerability into a raw, intimate expression of pure adoration.
R&B vet Eric Roberson releases his 18th studio album, Beautifully All Over the Place , now via his Blue Erro Soul Music label. Reinforcing his “King of Indie-Soul” status, the project features singles like “Where You Gonna Go” with BJ The Chicago Kid and “Over You, Under You” with Najee and Jayshawn Champion. Roberson has also released a companion book of the same title, available exclusively on his official website.
Rapper/streamer DDG teams up with Polo G for their new single “Not Friendly". The track blends introspection and sharp lyricism, exploring distrust, mental health, and the pressures that often comes with fame. Buzz for the song grew after a viral preview surpassed one million views. The release follows DDG’s recent projects and builds momentum ahead of his upcoming Blame the Chat tour, further cementing his rising influence in Hip-Hop.
Florida to ATL R&B group B5 continues its legacy with their new single “E.T.A.,” released during a busy year that includes a North American tour. Powered by Motion 6 Collective and led by Devyne Stephens, the track blends the group’s signature harmonies with a polished, summer-ready Hip-Hop soul sound. Indeed, “E.T.A.” captures the excitement of anticipation, delivering a catchy, melody-driven anthem centered on the thrill of waiting to reunite.
Emerging Maryland rapper Black Fortune continues his rise with the video for “Buy What U Want” featuring BIA, from his EP Road to Osshland III . Set in a moody warehouse, the visual highlights their chemistry and polished styles. Directed by Jake The Shooter, the video reflects themes of romance and success. Fortune, already gaining a cult following, recently collaborated with hit rapper Denzel Curry, building momentum toward his anticipated debut album.
India Shawn returns with the vibrant video for “Rain On Me,” blending smooth rhythms with energetic instrumentation. The Los Angeles-based artist, who released several singles in 2025, delivers sultry, visually engaging scenes that elevate the track and shows that in 2026 she hasn't lost a step. Following her acclaimed 2022 album Before We Go (Deeper) , this new release builds anticipation for a potential full-length project while showcasing India's signature soulful sound and artistic growth.
When Usher speaks on legacy, it carries weight. After all, if anyone knows anything about legacy it's Usher, a man who since he released his self-titled debut album at the age of 15 in 1994, has gone on to win 8 Grammy's while becoming one the world's most recognized contemporary R&B singers and pop musicians. So when Usher speaks, people listen, which makes his recent defense of former mentor Sean "P. Diddy" Combs, somewhat disturbing Indeed, in an interview last week with Forbes , talking about his own legacy as a an artist, businessman, and father, Usher spoke out in defense of the recently convicted of two counts of transportation of prostitution Combs. Describing for former head of Bad Boy Records as “misrepresented” and worthy of recognition, comments that reflected a deeply personal truth rooted in mentorship and early career influence. As for Usher, Diddy is not just a headline or a conviction; but a formative figure, a teacher during a critical moment in both his life and career. A perspective that's certainly valid as personal experience often complicates public narratives, especially when it comes to icons who helped shape culture and opportunity for others.
When Alicia Keys released “Un-Thinkable (I’m Ready)” from her 2009 album The Element of Freedom, she delivered one of the most emotionally raw moments of her career. The slow-burning R&B ballad (featuring uncredited background vocals from Drake) captured the tension between love and hesitation, showcasing Keys’ softer, more vulnerable side over haunting piano-driven production. Critics quickly embraced the track as a standout, praising its sensual tone and introspective lyrics. Written by Keys alongside Drake (Aubrey Graham) and longtime collaborators, the song blended delicate melodies with a quiet intensity that resonated deeply with listeners. Its honest portrayal of emotional risk helped elevate it beyond a typical love song, cementing its reputation as one of the album’s defining records. “Un-Thinkable (I’m Ready)” went on to dominate the charts, spending an impressive twelve consecutive weeks at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart—making it the longest-running R&B No. 1 of 2010. It also topped the Adult R&B chart and reached No. 21 on the Hot 100, becoming the most successful single from the album and a lasting fan favorite in Keys’ catalog.
Jack Harlow returns with his fourth album Monica, a project that marks a total departure from the Kentucky-bred rapper’s usual blend of witty bars, introspection, and playful bravado. Best known for rap hits like “Whats Poppin,” “First Class,” and “Loving on Me,” here we find Harlow shifting gears completely for R&B, while aiming for a more vulnerable and emotionally transparent approach centered on past (and present?) relationships. And while the stylistic pivot is ambitious, it has also drawn criticism, with some listeners and critics questioning both its authenticity and creative direction. At just nine tracks, Monica plays like a concise but uneven experiment that often feels underdeveloped as well. A recurring issue is its lack of depth (both lyrically and emotionally) as many moments come across as forced rather than genuine. The production, though smooth and easy to digest, leans toward safe, ambient grooves that feel more like background music for the local mall than fully realized compositions, lacking the dynamism needed to elevate the project beyond surface-level listening. Tracks like “Lonesome,” “My Winter,” and “Move Along” show flashes of relatability, touching on themes of heartbreak, betrayal, and growth, but they ultimately blur together due to repetitive execution. The opening track on Monica (a title that Harlow himself said recently wasn't necessarily a real person as opposed to a name he 'loved' simply due to its sound), “Trade Places,” offers a polished, groove-driven sound, yet feels overly calculated in its attempt to channel neo-soul influences. The track “All My Friends” leans on a corny theme of falling in love too deeply, paired with a melodic yet unruffled hook that should have been left on the cutting room floor. Meanwhile, songs like “Say Hello” and “Prague” hint at greater range, but aren’t strong enough to carry the album’s overall weight. In the end, Monica is an easy listen that struggles to leave a lasting impression, falling short in originality, variety, and the emotional authenticity it aims to deliver. Standout Tracks: "Trade Places", "Say Hello", "Living Alone" Rating: 5/10 - Simon P Williams
SEARCH
The legendary Oakland collective Hieroglyphics was officially inducted into the National Hip Hop Museum Hall of Fame yesterday in Washington, DC, marking a major milestone for one of underground rap’s most influential crews. Founded by Del the Funky Homosapien, the group includes key figures such as Casual, Pep Love, and the members of Souls of Mischief—Phesto, A-Plus, Opio, and Tajai—along with DJ DJ Toure and producer Domino. Known for their independence and loyal fanbase, the crew built their legacy through grassroots promotion, early internet engagement, and their own “Hierocasts.” At the center of Hieroglyphics’ identity is their unmistakable three-eyed face logo, a symbol that has become synonymous with underground hip-hop culture. Created by Del, the design is based on the Mayan numeral for eight and reflects both artistic influence and deeper consciousness (a “third eye” perspective that aligns with the group’s lyrical themes. Over the years, the logo has appeared across album covers, merchandise, and streetwear, growing into a cult emblem recognized far beyond their core fanbase. Del once noted his surprise at its reach, recalling sightings of the symbol in comics, music videos, and even tattoos worn by devoted fans. The Hall of Fame induction not only honors Hieroglyphics’ music (from albums like 3rd Eye Vision and Full Circle) but also celebrates the cultural power of their branding and message. In an era where major label backing often dictated success, the crew carved out their own lane, proving that authenticity and creative control could build a lasting movement. With their logo now cemented as one of hip-hop’s most enduring symbols, Hieroglyphics’ induction serves as recognition of both their artistic contributions and their influence on independent rap culture.
OUTSIDE THE STUDIO
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THE DROP ZONE ———————————————————————
Seventeen-year-old Haitian–New Zealand artist Imani-J returns with “Talk Is Cheap,” a vibrant Afrofusion single blending afrobeat rhythms and melodic vocals while emphasizing action over words. The track features a charismatic verse from Bam Marley (son of Ziggy, grandson to Bob) and emerged from a spontaneous LA studio session. With its infectious groove, the song strengthens her rising presence in Afrofusion and R&B.
Jamaican/British singer Rochelle Jordan has released a stylish new video for “Doing It Too,” a standout track from her 2025 album Through The Wall, directed by choreographer Fullout Cortland. Featuring sleek dance sequences against bold, colorful backdrops, the visual highlights Jordan’s effortless confidence and evolving artistry. In a press release for the visual Rochelle described the video as “confidence in motion,” adding that its polished execution enhances the song’s growing momentum and vibrant, glamorous energy.
Roc Nation singer/songwriter Victory Boyd returns with the thought-provoking single “What If Love Was Free?” from her new album Confessions of a Lonely Girl. Spanning over seven minutes, the track blends rich instrumentation with sharp social critique, questioning love as currency in a world driven by validation and insecurity. With poignant lyrics and a powerful gospel-tinged conclusion, Boyd delivers a stirring message about unconditional love in contrast to society’s transactional nature.
South African singer Jimmy Nevis returns with the powerful new video for “PREY,” an alternative-pop release confronting gender-based violence in South Africa. Blending atmospheric production with urgent storytelling, the track draws inspiration from advocacy movements like Women for Change SA and is paired with striking protest-driven visuals. Serving as both reflection and resistance, “PREY” will also make its live debut at the Cape Town International Jazz Festival.
French rapper Jeune Morty spotlights his genre-blurring style on Jeune Morty Vol. 1, a project that weaves global influences into his hyperlocal “swag rap” identity. Drawing from coupé-décalé, hip-hop, and poetic elements, the French-Ivorian artist crafts a raw yet fluid sound inspired in part by Young Thug. With standout tracks like “Katy Perry” and “Shrooms,” the 20-track album positions Morty as a rising force within France’s dynamic SoundCloud rap scene.
Kanye West, now going by Ye, returned on March 27 with his 12th studio album Bully , marking his first solo effort since Donda 2 . Released through Gamma, the project arrives amid ongoing controversy surrounding the rapper’s past antisemitic remarks and misconduct allegations. Ahead of the release, Ye issued a public apology via a full-page The Wall Street Journal ad. Featuring appearances from Travis Scott, CeeLo Green and others, the album had a brief rollout on YouTube following a Los Angeles listening event, continuing a turbulent yet closely watched chapter in his career.
AWINNAH, a Nigerian-born Afro-soul and folk artist, taps into deep emotion on her new single "Remember", a soft and heartfelt record that instantly transports listeners to moments and memories that linger. Rooted in spirituality, the song serves as a reminder of God’s eternal fatherhood for those called by His name, blending faith with personal reflection.
Canadian rapper Preme teams up with R&B vet Bryson Tiller on "Countdown", a smooth, cohesive track that plays to both artists’ strengths. The collaboration feels natural, with Preme steering the record’s direction through his polished production and delivery, while Tiller layers in his signature melodic touch. Their styles blend effortlessly, creating a laid-back yet engaging vibe that stays consistent from start to finish. “Countdown” highlights the chemistry between the two, resulting in a clean, well-balanced record that fits comfortably within both of their sonic lanes.
African superstars Angélique Kidjo and AYRA Starr shine on their new collaboration, “Aye Kan,” a vibrant track that underscores Africa’s growing influence on the global music scene. Serving as the lead single from Kidjo’s upcoming 19th album, HOPE (out April 24), the song seamlessly bridges two generations of African artistry. Rooted in their shared heritage from the Benin Republic and Yoruba culture, “Aye Kan” blends tradition with contemporary flair. The accompanying video, directed by Emmanuel Agbeble, captures the artists’ unity and genuine friendship, as they come together to deliver the groovy, uplifting track.