Ahead of his upcoming album Distracted, arriving April 3 via Brainfeeder,Thundercathas shared the new single "ThunderWave"featuringWILLOW. The track follows earlier releases including collaborations withMac Miller,Lil Yachty, andFlying Lotus. Built around Thundercat’s hypnotic bass groove and shimmering synths, the hazy R&B duet also features jarmonies and guitar licks from WILLOW. Co-written with pop producerGreg Kurstin, the song blends falsetto harmonies and splashy textures into a dreamy, playful collaboration.

Award-winning Kenyan singer-songwriter Njerae has kicked off the year with her new single "Ingia Ndani", produced by acclaimed hitmaker Hendrick Sam. Known for her soulful Afro-Indie sound, Njerae delivers a warm and intimate anthem about emotional vulnerability and inviting love in. The track, whose Swahili title translates to “come inside,” blends catchy melodies with heartfelt storytelling. It follows her 2023 EP Four Letter Word and arrives ahead of Njerae's upcoming Australian tour, reinforcing her rising global presence.

Breakout British R&B artist kwndelivers a dreamy visual for her single "hopeless romantic". Directed byChris Chance, the one-take video moves through surreal scenes featuring cowboys, a mariachi band, and a pickup filled with flowers. The track follows the success of her recent EPwith all due respectand collaborations withFLOandKehlani, signaling that 2026 could be a defining year for the rising star.

Rising R&B singer Pimmie has released her debut album Don’t Come Home via OVO Sound, the label founded by Drake. Dropping March 6, the 10-track project introduces the Houston artist’s smooth vocals and candid songwriting, highlighting her emotional range across modern R&B production. Led by the single "Bet", the album blends vulnerability with quiet confidence. Pimmie first gained attention with an interlude on Some Sexy Songs 4 U , the collaborative project from Drake and PARTYNEXTDOOR that dropped last year.

A private family screening of Michael reportedly turned tense after an argument broke out between siblings Jermaine Jackson and Janet Jackson. According to reports, more than 60 members of the Jackson family gathered in Los Angeles to watch the upcoming biopic about Michael Jackson. The atmosphere was initially celebratory, with relatives laughing and applauding as the film chronicled the late singer’s journey from child star to global icon. However, the mood reportedly shifted when Janet began offering sharp critiques of the production, questioning elements ranging from the acting and makeup to the way certain characters moved on screen. One source claimed she had negative comments about nearly every scene, which created visible tension among those in attendance.  The situation escalated when Jermaine, whose son Jaafar Jackson portrays Michael in the film, allegedly confronted Janet in front of the family. Witnesses said he accused his sister of undermining the project, telling her she would “miss this wave.” The reported clash surprised several younger relatives and follows earlier remarks from Paris Jackson, who previously said she was not involved with the film despite speculation linking her to the project.

Travis Scott and a coalition of artists and legal advocates have filed an amicus brief with the Supreme Court of the United States challenging the use of rap lyrics in a Texas death penalty case. The filing supports James Garfield Broadnax, who was sentenced to death in 2009 for the killing of two men in Garland, Texas. During the sentencing phase, prosecutors presented Broadnax’s rap lyrics to a predominantly white jury, arguing they demonstrated a future threat to society.  Scott’s legal team, which includes attorney Alex Spiro, argues the prosecution’s strategy unfairly targeted hip-hop as a form of artistic expression. The brief states that framing rap lyrics as evidence of criminal intent effectively imposes an unconstitutional penalty on the genre and violates protections guaranteed by the First Amendment to the United States Constitution. Supporters say hip-hop artists have historically faced disproportionate scrutiny in court, where lyrics are often interpreted as literal autobiographical statements. Several prominent artists, including Young Thug, T.I., and Killer Mike, have joined the effort alongside scholars and legal experts. Advocates say the case echoes controversies such as the YSL RICO case, where song lyrics were used by prosecutors. Meanwhile, lawmakers in the House of Lords in the United Kingdom are debating similar issues, with a proposed amendment to the Victim and Courts Bill seeking to limit the use of rap lyrics as criminal evidence.

Released in 1989, "Here and Now" became one of the most beloved ballads by Luther Vandross. Featured on his compilation album The Best of Luther Vandross... The Best of Love, the song was written by David L. Elliott, Terry Steele, and Charles “Casino” White. The heartfelt track resonated with audiences, topping the Billboard Hot Black Singles chart and reaching No. 6 on the Billboard Hot 100—marking Vandross’ first Top 10 hit on the mainstream chart. Driven by Vandross’ smooth lead vocals and lush instrumentation, the track featured contributions from acclaimed musicians including Nat Adderley Jr. on keyboards and Marcus Miller as producer, along with background vocals from artists such as Cissy Houston and Lisa Fischer. Critics described the record as a dreamy, sensual ballad that stayed true to Vandross’ signature romantic soul style while continuing to build his reputation as one of R&B’s finest vocalists. The song’s success earned Vandross his first Grammy Award for Best Male R&B Vocal Performance in 1991 and helped cement its legacy as a wedding and love-song classic. Vandross performed it on The Oprah Winfrey Show and during a memorable wedding scene on 227. Over the years, the ballad has been honored with covers by artists like Patti LaBelle and Richard Elliot, proving that its heartfelt message continues to resonate decades later. 

Jorja Smith, the English singer-songwriter from Walsall, West Midlands, reconnects with producer and rapper Havoc on this “Blue Lights” remix, a sequel to her 2016 debut single. A self-described “forever fan,” Havoc builds the beat and delivers two verses, highlighting their natural chemistry after Jorja’s appearance on Mobb Deep’s 2025 album The Infinite . Jorja floats over the track, telling a vivid story about the pressure facing young people while keeping her smooth, soulful sound.