Tamar Braxton Says She’s Done With The Braxtons Amid Ongoing Family Tension
Tamar Braxton has announced that she is officially stepping away from The Braxtons, following a tumultuous season marked by escalating conflict among the sisters. The most recent episodes documented rising tensions between Tamar and Towanda Braxton, including a dispute over Towanda’s wedding date, which Tamar believed was intentionally scheduled close to her birthday. Matters worsened after Tamar received a cease-and-desist letter for inviting her niece onto her podcast, further straining family trust.
The situation reached a boiling point during a family meeting meant to discuss caring for their mother, Evelyn Braxton, after surgery. The conversation quickly spiraled into chaos as Tamar questioned how the family attorney obtained her address, a claim Towanda and Trina Braxton denied any involvement in. The confrontation escalated into a near physical altercation between Tamar and Toni Braxton, with Trina being struck while trying to intervene and Towanda having a drink knocked toward her. Following the incident, Towanda disinvited Tamar from her wedding, though Tamar later reconciled with Trina and Toni during a sister retreat.
Despite fan hopes that Tamar and Towanda would eventually make peace on a future season, Tamar has made it clear she will not be returning. Addressing supporters directly, she said the show is not canceled and continues to perform well, but she no longer wants to participate. “It’s not healthy,” Tamar explained, adding that she wants to focus on projects that reflect who she is now, not who she was years ago. She also said she feels vindicated, claiming past narratives about her were false and that the truth has finally come to light.
North West makes a bold debut with her 6-track EP N0rth4evr, blending rage rap, emo, and hyperpop into a surprisingly distinct sound. Despite early expectations, the 12-year-old daughter of Kanye West carves out her own lane, moving beyond imitation with confident, experimental production. Standout moments like the title track showcase her fusion of nu-metal energy and melodic distortion. The project highlights North’s emerging identity, signaling a self-assured and creatively ambitious new voice in music.
Chris Brown returns with the cinematic video for “Fallin’,” featuring Leon Thomas, sparking immediate fan excitement upon release. The emotionally driven visual highlights their natural chemistry, with Thomas adding depth through smooth vocals. More than a standalone track, the song previews Brown’s upcoming album BROWN, hinting at a more personal, stripped-down direction. Focused on vulnerability and storytelling, the release signals a confident, introspective phase in his artistry.
Jessie Reyez returns with “Ain’t U Tired?” alongside Grammy-nominated R&B singer Muni Long, delivering a heartfelt, piano-driven love song rich in emotion and vocal chemistry. The track explores surrendering to undeniable love, with both artists blending distinct yet complementary styles. Accompanied by a dreamy, island-inspired visual, the release captures an intimate, authentic mood. Together, they create a warm, resonant record that feels both effortless and deeply affecting.
Rising R&B-pop artist Chxrry keeps her momentum going with “Bottles & Lights,” featuring Mariah The Scientist, as part of her upcoming debut album U, Me, and My Ego. Over a sultry groove, the duo delivers sharp, emotionally grounded lyrics centered on self-worth and boundaries. Blending confidence with vulnerability, Chxrry reinforces her message of empowerment, creating an anthem for women who embrace their value and refuse to settle.
New Orleans rapper La Reezy returns with “Melanate It,” a bluesy, piano-driven single that highlights his charisma, wit, and strong sense of identity. Blending honesty with individuality, he encourages self-love and pride in one’s skin while showcasing his artistic range. The track reflects his commitment to culture and authenticity, offering both inspiration and empowerment. With this release, Reezy sharpens his focus and message, inviting listeners to embrace freedom and confidently express themselves.
Nearly 24 years after the killing of Jam Master Jay, a new development has emerged in the long-running case. Jay Bryant, a 52-year-old Queens resident, pleaded guilty to helping facilitate the 2002 murder by granting access to the recording studio where Mizell was working. In a courtroom statement, Bryant admitted his role, saying he “helped them kill Jason Mizell.” Prosecutors allege his actions allowed the gunmen to enter and carry out the fatal ambush. Mizell was inside a second-floor lounge of the studio when two men were buzzed in and opened fire. Previously, Karl Jordan Jr. and Ronald Washington were convicted in connection to the killing, though Jordan’s conviction was overturned in December 2025 while Washington’s remains intact. Authorities say the murder was linked to a dispute over a drug deal, though testimony during trial suggested Mizell was not deeply involved in drug trafficking. As a founding member of Run-DMC alongside Joseph "Run" Simmons and Darryl "DMC" McDaniels, Mizell helped shape hip-hop’s global influence with hits like Walk This Way. The group was inducted into the Rock and Roll Hall of Fame in 2009. Bryant now faces a potential sentence of 15 to 20 years in prison, as officials continue to pursue closure in one of hip-hop’s most significant unsolved cases.
Akon is officially stepping into the country music arena, confirming plans for a full-length album of original material. Speaking on Won of One: A PLLRS Podcast, the global star shared that what began as a creative experiment has evolved into a serious project, fueled by fan demand. He also revealed plans for a follow-up release that will reinterpret his classic hits in a country style. The move reflects a natural progression for Akon, who says his songwriting has always been rooted in storytelling — a core element of country music. Drawing from early influences of reggae and country before discovering hip-hop, he sees the genre as a foundational part of his artistic identity. His previous collaborations with artists like Josh Ross and Gary LeVox further hinted at this crossover direction. While no official release date has been announced, the strategy is clear: first deliver a body of original country songs, then follow it with a reimagined project of his past hits. As genre boundaries continue to blur, Akon’s pivot positions him among a growing wave of artists exploring country’s expanding global reach.
Released in 1991, I Like the Way (The Kissing Game) became the breakout hit for Texas R&B quintet Hi-Five, cementing their place in early ’90s R&B and pop. Featured on their self-titled debut album, the track was crafted by hitmakers Teddy Riley, Bernard Belle, and Dave Way. Its smooth blend of new jack swing and youthful charm made it an instant favorite upon its release through Jive Records. The song quickly proved its dominance on the charts, spending two weeks atop Billboard’s Hot R&B/Hip-Hop Songs chart and reaching No. 1 on the Billboard Hot 100. Its crossover success highlighted Hi-Five’s broad appeal, while its Gold certification from the Recording Industry Association of America underscored its commercial impact. Even decades later, the track remains a defining example of the era’s polished, radio-friendly R&B sound. Visually, the song’s music video (directed by Antoine Fuqua) offered an interesting contrast. Despite the song’s bright, bubblegum feel, the video leaned into darker tones and shadowy aesthetics. It also marked the first appearance of Treston Irby, who replaced Toriano Easley, signaling a new chapter for the group during the height of their success.
Co-produced with noted songwriter Olmo Zucca, Malaysian singer Yuna returns with her deeply personal five-track EP The Valour Hour. Featuring songs like “Believer” and “Wasteland,” the project explores themes of resilience and perseverance through difficult moments, reflecting a more introspective side of the artist. The release arrives just months after her critically acclaimed Yuna The Valour Hour concert at Zepp Kuala Lumpur, further extending the emotional and creative narrative behind the project.
Jamaican singer/songwriter Jada Kingdom delivers a striking visual for “Still Searching,” a standout from her EP (released last month) Just A Girl In A Money Man’s World . The video reimagines Damian Marley’s 2001 classic with a modern lens of confidence and control. The release continues Jada's recent momentum, following the New Religion EP featuring Foggieraw, which explored themes of romance and emotional depth.