Kirk Franklin teams with GloRilla on “This Time,” the high-energy lead single from his upcoming 14th solo album, I Am What I Am, due October 30 via Uptown Records. The official video captures the track’s fusion of gospel and Southern trap, powered by joyous horns, handclaps, and a massive choir. Interpolating Mandrill’s “Children of the Sun,” Franklin brings soulful intensity while GloRilla delivers upbeat bars and sharp wordplay, showcasing her versatility over the uplifting gospel backdrop.

GRAMMY Award-winning R&B singer Lucky Daye unveils the official video for “Talk To Me,” the latest single from his upcoming fifth album, ALOUD!, due October 16 via Warner Records. Co-written with Frank Brim and Dimitri McDowell, the track pairs psychedelic guitar, ’80s-inspired percussion, and a hypnotic groove with Daye’s emotional plea to reconnect with an estranged lover. As communication breaks down, his voicemail becomes a final attempt to save a relationship before the love runs out.

British pop star Olivia Dean is facing a copyright lawsuit alleging that her song “I’ve Seen It” copies elements of Bill Withers’ 1981 soul classic “Just The Two of Us.” Mattie Music Group, which manages Withers’ catalog, filed the complaint in federal court in Los Angeles, claiming the songs share musical features that are too striking to be coincidental. Dean’s label Capitol Records, Universal Music Group, Sony Music Publishing and Kobalt are among the companies named as defendants. According to the lawsuit, Mattie Music Group hired a musicologist to examine both songs, with the expert allegedly finding substantial similarities and repeated copying of a distinctive melody. The publisher says it notified the companies about the alleged infringement in August, but “I’ve Seen It” remained available commercially. Dean and her co-writers, Bastian Langebæk and Max Wolfgang, are not personally named as defendants. Representatives for Dean and the companies had not publicly responded as of October 2. “I’ve Seen It” serves as the closing track on Dean’s 2025 album The Art of Loving, which earned her major recognition, including a Brit Award. The intimate acoustic ballad explores the different forms of love in her life. “Just The Two of Us,” recorded by Grover Washington Jr. featuring Withers, reached No. 2 on the Billboard Hot 100 and won the Grammy for Best R&B Song. Withers, who died in 2020, co-wrote the song with Ralph MacDonald and William Salter.

The Game is taking legal action against Universal Music Group and its subsidiary, Virgin Music Group, alleging the companies failed to properly promote his 2022 album Drillmatic – Heart vs. Mind. According to court documents, the Compton rapper filed the lawsuit on September 30, claiming the label did not fulfill a promised marketing commitment tied to the album’s release. At the center of the dispute is an alleged $500,000 marketing budget that The Game says was promised to support Drillmatic. He claims only $179,274.79 was spent, arguing that the reduced promotional efforts contributed to the album’s sales performance. The rapper alleges that $125,000 was specifically designated for radio promotion but that no money was spent in that area. The Game also claims another $170,000 was allocated for music videos, out-of-home advertising, international promotion and digital marketing, but alleges only $88,000 was ultimately spent. He is seeking approximately $500,000 in damages, citing breach of contract, as well as reimbursement for legal fees. UMG and Virgin Music Group have denied breaching their agreement with the rapper, according to the lawsuit.

UK singer-songwriter Rachel Chinouriri offers a third preview of her highly anticipated sophomore album with “Broken Chair,” a playful, emotional and catchy indie-pop track about navigating her mid-twenties. Written in Los Angeles, the song transforms a night out into a moment of self-reflection, exploring drinking, partying and self-worth. Chinouriri co-wrote the track with singer/songwriter/producer Lucy Dacus, who encouraged her to embrace who she is and recognize that she is enough exactly as she is.

Nigerian gospel minister Mercy Chinwo delivers an energetic anthem of praise and thanksgiving with “My God" (also known as “My God, You Are Good"). Released September 25, the vibrant single blends joyful African rhythms with a heartfelt message of gratitude and faith. Written and composed by Chinwo, the song celebrates God’s faithfulness and serves as a personal testimony of answered prayers. With its uplifting energy and powerful declaration of devotion, “My God” invites listeners to celebrate God’s goodness.

Veteran R&B/Soul singer PJ Morton revisits the complicated emotions of a relationship on “Used To Be,” a standout from his 2026 double album, Saturday Night / Sunday Morning. The soulful track looks back at a love that changed after outside opinions and doubt began creeping in, with Morton longing to rewind the clock and recapture what once was. The official visualizer and audio complement the reflective song, adding a creative visual layer to its nostalgic, relationship-centered message.

Canadian pop/R&B singer Alessia Cara celebrates the five-year anniversary of her critically acclaimed third album, In the Meantime, with the new video for “Apartment Song.” A bouncy ode to single life and solitude, the track captures the comfort and isolation Cara experienced after moving into a new apartment during the pandemic. Originally released in September 2021, the fan favorite gets a playful, full-circle visual co-directed and co-edited by Cara and Dario, bringing renewed energy to the beloved track.

Grammy-award winning R&B, jazz, neo-soul and gospel singer-songwriter Lalah Hathaway returns with Made in Chicago, her ninth studio album and a deeply personal tribute to the city that shaped her. Released on what would have been her father Donny Hathaway’s 81st birthday, the nine-track collection draws inspiration from childhood memories, Chicago’s skyline and Lake Michigan. Made with longtime collaborator Phil Beaudreau, the album blends warm and soulful vocals, creating a lush sound that honors Hathaway’s past while pushing her artistry forward.