For this week’s Throwback Thursday, we revisit Jamiroquai’s iconic 1996 hit “Virtual Insanity,” released August 19, 1996, as the second single from the British funk and acid jazz group’s third studio album, Travelling Without Moving. Written by frontman Jay Kay and Toby Smith and produced by Al Stone, the track paired a smooth, piano-driven groove with lyrics exploring the dangers of technology, overpopulation, genetic enhancement and environmental collapse. While the song became a major international hit, reaching No. 1 in Iceland and No. 3 on the UK Singles Chart, its groundbreaking music video helped turn “Virtual Insanity” into a cultural phenomenon. Directed by Jonathan Glazer, the visual features Jay Kay dancing inside a seemingly shifting room as furniture appears to move around him. The illusion was created practically by moving the walls and furniture rather than using computer-generated effects. The video earned 10 nominations and won four awards at the 1997 MTV Video Music Awards, including Video of the Year. More than two decades later, its inventive visual effects and Jay Kay’s distinctive performance remain instantly recognizable, while the song’s concerns about technology and modern life continue to resonate. “Virtual Insanity” also earned Jamiroquai a Grammy Award for Best Pop Vocal Performance by a Duo or Group, cementing its place as one of the band’s defining recordings.

Timbaland is facing a lawsuit from DJ E Feezy, who claims he was fired from the planned Timbaland and Missy Elliott tour less than 30 days before it was scheduled to begin. According to the complaint, obtained by TMZ, Feezy was hired in 2024 to perform during the tour, which was scheduled for July and August. He claims his agreement called for $4,000 per show, totaling approximately $120,000 for the tour. Feezy alleges he made significant preparations for the tour, including obtaining a Canadian work visa, paying related legal fees, declining other performance opportunities and practicing the planned set list. He claims he was terminated shortly before the tour began and believes Timbaland’s son was brought in to replace him. Feezy also alleges that a settlement was reached following his dismissal, but says Timbaland failed to honor the agreement. He is seeking approximately $130,000 in damages, including lost tour earnings and visa-related expenses. Timbaland has denied Feezy’s allegations and is asking the court to dismiss the lawsuit, arguing that there was no enforceable agreement covering the terms described in the complaint. The producer has also filed a separate complaint against his former manager, whom he says handled the arrangements with Feezy. Timbaland maintains that if Feezy is entitled to damages, responsibility should fall on the former manager rather than him.

Honey Bxby links with Grammy-nominated rapper JID on “A Thousand Times,” a Worldwidefresh-produced collaboration that taps into the classic 2000s formula of smooth R&B vocals paired with a dope rap verse. Honey’s fearless emotional transparency and biting humor complement JID’s agile lyricism and distinctive cadence, creating a soulful, sharp-tongued exchange. The pairing feels nostalgic without trying to recreate the past, instead reminding listeners why R&B and rap have always worked so well together.

Brooklyn-based actor and singer-songwriter Chelsie Denise blends contemporary R&B with konpa, the vibrant Haitian music and dance genre, on her new single “Don’t You Know.” The romantic track explores the longing for genuine love and loyalty, while reflecting on the emotional power a partner can have once the right connection is found. Combining soulful R&B with Haitian influences, Chelsie creates an intimate, heartfelt song about vulnerability, devotion and lasting love.

Fridayy has released his third studio album, Tension, a 12-track project exploring love, uncertainty, desire and personal growth. Released through Def Jam Recordings, the Philadelphia artist continues blending contemporary R&B, hip-hop and melodic songwriting with an intimate focus. Tracks including “Haiku,” “Can You Stay,” “Time Will Tell” and “Skip The Club” explore relationships from different perspectives, while “Death Do Us Part,” featuring Mariah The Scientist, closes the album with emotional storytelling and vulnerability.

De La Soul has released the official music video for “Run It Back!!” featuring Nas, one of the standout tracks from the group’s acclaimed tenth studio album, Cabin in the Sky, via Mass Appeal Records. Directed by Justice Silvera, the visual blends culture, color and motion, taking viewers from De La Soul’s beginnings in Amityville, Long Island, to Queens, where Nas joins the group for a stylized New York ride through Hip-Hop history.

Longtime Hip-Hop rapper/lyricist Yasiin Bey, formerly known as Mos Def, has released a new video for “Priority,” directed by filmmaker and photographer Cognito and featuring previously unseen footage from the era. The release celebrates Bey’s partnership with Rhymesayers Entertainment and the reissue of his acclaimed 2009 album The Ecstatic. The album returned to all physical formats August 14, marking its first worldwide distribution in more than 15 years, while also streaming on Qobuz.

Solange Knowles is remembering her former Bring It On: All or Nothing costar Hayden Panettiere following the actress’ death on Sunday, Aug. 16. Knowles, who starred alongside Panettiere in the 2006 film, shared a heartfelt tribute on Instagram, reflecting on their time together and the impact of their work. The two portrayed rival cheerleading captains in the film, with Knowles playing Camille and Panettiere portraying Britney. In an Instagram Story, Knowles described Panettiere as someone who “courageously” lived in her truth while pursuing vulnerability and healing. She also reflected on the significance of the movie and their performances, writing that the project eventually became meaningful to audiences in ways they could not have imagined as two young women. Knowles also shared photos of the pair in their cheerleading uniforms, captioning them “warriors for life.” Other Bring It On: All or Nothing cast members have also mourned Panettiere, including Francia Raisa. Panettiere, best known for her roles in Nashville and Heroes, was found unresponsive at Judson Mill Lofts in Greenville, South Carolina, on Aug. 16. According to the Greenville Police Department, officers and emergency medical personnel responded after an acquaintance called 911, but Panettiere was pronounced dead at the scene.

A rare video of a young Beyoncé speaking with Michael Jackson has resurfaced online, drawing renewed attention to a moment involving producer F. Marc Schaffel. The footage, reportedly filmed around 2001 while Beyoncé was still a member of Destiny’s Child, shows her taking a phone call from Jackson while sitting on Schaffel’s lap. The scene has prompted viewers to question the professional boundaries surrounding the young singer. The footage reportedly came from an unaired reality project filmed by Schaffel and was recorded during work connected to Jackson’s charity single “What More Can I Give.” Beyoncé and Destiny’s Child were among the artists associated with the project, which brought together major performers following the September 11 attacks. During the resurfaced clip, Beyoncé appears excited to learn that Jackson admired her work before speaking with him about the charity recording and expressing her appreciation for being involved. Schaffel’s presence has added further context because he served as an executive producer on “What More Can I Give” and previously worked closely with Jackson. Their professional relationship later became the subject of a legal dispute over money Schaffel claimed he was owed, with a 2006 jury awarding him $900,000 while ordering him to pay Jackson $200,000. However, that history does not establish anything improper about the Beyoncé footage. Online discussion has instead centered on the sight of Beyoncé sitting on Schaffel’s lap, while no verified public statement from Beyoncé explaining the interaction has emerged.