NEW SINGLES —————————
Olivia C. Dacal unveils “Lady Love (Omnichord version),” a stripped-back reimagining that spotlights her intimate songwriting and soulful delivery. Blending indie pop and neo-soul with subtle jazz and Latin influences, the Australian artist drifts endlessly as grand chords and airy, slow-burn instrumentation create a hypnotic, late-night feel. The Omnichord-led arrangement allows Olivia’s heartfelt lyrics on love and self-discovery to take center stage, drawing listeners deeper into her genre-defying world.
Grammy-nominated singer-songwriter Nija returns with “I Just Called,” a sumptuous new single featuring West Coast standout Blxst. Produced by Jack Rochon, the slow-burning situationship jam captures the pull of unresolved love, as Nija’s smoky alto wrestles with longing and hesitation. Blxst answers as the conflicted partner determined to make things right, their chemistry sealing the track. The release arrives ahead of Nija’s upcoming project, What I Didn’t Say, due January 23, 2026.
NEW ALBUM
Georgia Black steps fully into her power on Rope, a nine-track album that blends jazz, soul, and cinematic flair with striking intention. Released in October via Conjunct Recordings, the North London, UK artist delivers her most personal work yet, weaving jazzy and bluesy tones with dark, alternative R&B textures. Standout tracks like the melodic “Wishing Well,” alongside the gripping “Jaws” and cathartic “Surrender,” anchor a record shaped by love, loss, and rebirth, reframing vulnerability as strength and transformation.
PREMIERING NOW
Fridayy delivers an emotional highlight with “Death Do Us Part (The After Party),” episode five from his new EP Everybody Got Somebody. Joined by Mariah The Scientist, the video captures the tension between devotion and temptation, as both artists wrestle with a love that refuses to let go. Mariah’s vulnerable confessions meet Fridayy’s reflective resolve, amplifying the song’s push-and-pull themes. The visual extends the EP’s moody, late-night R&B atmosphere, underscoring Fridayy’s growing emotional depth.
British girl group FLO keeps their 2025 momentum going with the official video for “Recently Deleted,” an energetic throwback R&B ballad. Framed as a special fan-track, the song finds Stella, Jorja, and Renée channeling a more grown narrative, confronting the lingering digital traces of an unforgettable ex. Buoyed by their recent Grammy nomination, the Marlon Cang and Sienna Navaa-directed visual amplifies the song’s emotional punch as FLO signal even more new music ahead.
NOW PLAYING ———————————————————————
LA-based emcee Samara Cyn closes out 2025 with “what will they say,” a potent, soul-infused single that further cements her spot among hip-hop’s most compelling voices. Produced by close collaborator Billy Ray Schlag, the track is a moment of self-examination wrapped in warm, melodic flows reminiscent of Noname or Saba. With poetic clarity and purpose, Samara invites listeners to confront truth, do the work, and raise their voices alongside her.
Detroit-based Gospel singer Kierra Sheard joins Gospel vet Darrel Walls on “Amazing (Remix),” a powerful worship anthem produced by PJ Morton that magnifies God’s unmatched power and love. With lyrics declaring “You’re amazing, so breathtaking, unbelievable, supernatural” and affirming “there’s no one greater than You,” the song praises His creation and mountain-moving ability. Sheard’s commanding vocals and Morton’s soulful production elevate the remix into a stirring, faith-filled moment that blends gospel tradition with modern polish.
Conway The Machine argues he’s only now entering his prime with the new video for “BMG,” a standout from You Can’t Kill God With Bullets. Produced by Sndtrak and Chri$$ianity, the track blends blaxploitation flair with bold horns, strings, and Rhodes as Conway delivers a confident, reflective verse. The cinematic video features a Dr. Evil–inspired concept with a mini-me. The album, released last Friday, is one of his most expansive, boasting collaborators from The Alchemist to Timbaland.
Spanish singer and songwriter Rosalía teams up with Yahritza Y Su Esencia on “La Perla,” delivering a striking blend of sweetness and emotional bite. Directed by Stillz, the cinematic video finds the Spanish superstar fencing, donning hockey gear, and commanding fierce dogs: visual metaphors for emotional defense. While the song glides gently, its lyrics cut deep, branding a lover an “emotional terrorist” and “thief of peace.” It’s Rosalía at her most guarded, genre-bending, and powerfully prepared.
San Francisco native Karri’s new album SLIDER II further cements him as a rising force in contemporary R&B, building on the momentum sparked by his 2023 TikTok breakout “3AM in Oakland.” A sequel to Late Night Slider Music , the project stays rooted in Bay Area tradition while pushing his sound forward emotionally. The standout single “Go,” featuring Kehlani, flips E-40’s “Tell Me When to Go” into a lush, romantic slow burn. Elsewhere, raw cuts like “Crashout” expose new vulnerability, while “Unconditional Interlude” offers the album’s most tender, certain moment of love.
Melbourne-raised, Los Angeles-based singer-songwriter Elle Eliades is rapidly emerging as a standout voice in today’s R&B/Soul scene, known for her honeyed tone and raw, vulnerable writing. On October 24, she released her self-written debut EP Elora , a dreamy seven-track journey recorded between Melbourne and L.A. Filled with lush production and intimate storytelling, the project highlights the authenticity and emotional depth that have quickly made Elle an artist to watch on the global stage.
Jason Derulo delivers a festive surprise with “Miracle,” an uplifting Christmas anthem blending his signature pop-R&B style with classic holiday warmth. The song celebrates gratitude, family, unexpected kindness, and the small everyday moments that make the season meaningful. Following major success with recent singles “Who Hurt You” and “Snake,” Derulo continues his global influence, boasting nearly 250 million followers as he prepares to launch The Last Dance World Tour across the UK and Europe in early 2026.
Nino Mayanna’s “Aje” is a vibrant blend of Afrobeat, R&B, and pop, driven by smooth vocals, a catchy groove, and a message of confidence and independence. Inspired by critics who question her ambition, Mayanna turns pressure into empowerment, delivering a track that’s upbeat yet rooted in real-life resilience. Her journey from humble beginnings in Lagos to surviving a life-altering gas explosion adds emotional depth, making “Aje” both uplifting and authentically powerful
Nigerian singer Mercy Chinwo’s “You No Let Them” arrives as a powerful highlight from her album In His Will, with a visually striking video that celebrates God’s protection and unfailing faithfulness. Directed with uplifting energy, the clip amplifies the song’s message of resilience, gratitude, and divine intervention over life’s challenges. Already earning hundreds of thousands of views across platforms, the release reinforces Chinwo’s status as one of gospel music’s most inspiring and beloved voices.
French Montana and Max B reunite in the KidArt-directed “MAWA (Make America Wavy Again),” an explosive comeback that revives the classic Coke Wave energy ahead of their Coke Wave 3.5 album dropping January 9, 2026. Produced by French, Dame Grease, and Red McFly, the track blends melancholic, hard-hitting flair as the duo trade gritty verses about legacy and survival. With Max newly released from prison and back in the studio, the single sets the stage for a highly anticipated new chapter.
When the NFL announced that Bad Bunny would headline the Super Bowl LX halftime show on February 8, 2026, it should have been a celebratory moment: a recognition of one of the most globally successful and culturally significant artists of the modern era. Instead, the reaction from conservative corners of America has been nothing short of absurd. From politicians to pundits to former football players, the outrage over a Puerto Rican superstar performing at America’s biggest sporting event reveals more about their own insecurities and biases than it does about Bad Bunny or his music. The outrage machine kicked into overdrive almost immediately. Just this Tuesday, Speaker of the House Mike Johnson called the NFL’s decision “terrible” and suggested 82-year-old Lee Greenwood should perform instead, as though nostalgia were the only valid form of patriotism. Recently, Fox Nation host Tomi Lahren embarrassed herself by claiming Bad Bunny “is not an American artist,” only to be reminded (on her own show) that Puerto Rico is part of the United States. Even Donald Trump jumped into the fray, claiming he’d “never heard of him,” a statement that says more about Trump’s cultural ignorance than about Bad Bunny’s reach. Hall of Famer Eric Dickerson also chimed in on the brouhaha, telling Bunny to “keep his ass away” from the Super Bowl if he doesn’t “like America.” Nonetheless it’s a pattern we’ve seen before: manufactured outrage cloaked in nationalism and cultural insecurity.
Released in May 1997, “Cupid” became one of the defining slow jams of late-’90s R&B and a breakout moment for Atlanta quartet 112 . The song served as the third and final single from their self-titled debut album and featured Slim on lead vocals, delivering a tender, heartfelt performance that resonated with listeners. “Cupid” peaked at No. 13 on the Billboard Hot 100 and climbed to No. 2 on the Hot R&B/Hip-Hop Songs chart , marking the group’s third Top 40 hit and cementing their place on the R&B scene. Produced by Arnold Hennings and recorded between 1995 and 1996 at Daddy’s House Recording Studios in New York City and Purple Dragon Studios in Atlanta, “Cupid” showcased 112’s polished harmonies and romantic sensibility. Written by the group members alongside Hennings and Courtney Sills, the track blended classic soul influences with the sleek Bad Boy-era sound. Its success was undeniable, eventually earning RIAA platinum certification for selling over one million copies. The song’s visual matched its smooth, intimate vibe. Directed by Dante Ariola and Jay Papke , the music video featured the group singing their affections while seated or standing on chairs, with actress Garcelle Beauvais portraying their love interest. Simple yet memorable, the video kept the focus on emotion and delivery, just like the song itself. Nearly three decades later, “Cupid” remains a staple of ’90s R&B playlists and a reminder of 112’s timeless ability to make romance sound effortless.
Odumodublvck’s Industry Machine hits like a storm: loud, confident, and impossible to ignore. The Nigerian rapper and songwriter from Abuja, known for fusing drill, grime, and Afrobeats, returns with his ninth project: a bold declaration of who he is and where he stands. Across 23 tracks, this project moves with purpose; the sound is raw yet intentional, every verse charged with conviction. From the opening title track, Odumodublvck sounds like a man done being underestimated, his flow sharp and unrelenting. The production matches his fire: layered, dynamic, and built to amplify his energy. “Grooving” featuring Davido and Seun Kuti bursts with joyful confidence, while “Unaware” with Pa Salieu lands heavier, exposing the harsh truths of the industry. What makes Industry Machine even more powerful is its honesty. Odumodublvck doesn’t sugarcoat anything, he lays bare his triumphs, frustrations, and the relentless grind behind them. On “Baby Reindeer,” he softens, revealing a more introspective side, while “Banza Boy” pulls back to the streets, pulsing with hunger and defiance. You can feel both pride and pain in his delivery, that delicate balance of vulnerability and bravado giving the album its pulse. Indeed, Industry Machine is more than an album, it’s Odumodublvck’s story in motion. A fearless expression of identity, ambition, and resilience, it captures a pivotal moment in African hip-hop’s evolution and reminds listeners that greatness often rises from grit.
SEARCH
OUTSIDE THE STUDIO
This is paragraph text. Click it or hit the Manage Text button to change the font, color, size, format, and more. To set up site-wide paragraph and title styles, go to Site Theme.
This is paragraph text. Click it or hit the Manage Text button to change the font, color, size, format, and more. To set up site-wide paragraph and title styles, go to Site Theme.
This is paragraph text. Click it or hit the Manage Text button to change the font, color, size, format, and more. To set up site-wide paragraph and title styles, go to Site Theme.
This is paragraph text. Click it or hit the Manage Text button to change the font, color, size, format, and more. To set up site-wide paragraph and title styles, go to Site Theme.
THE DROP ZONE ———————————————————————
South African Amapiano innovator Sam Deep returns with Who I Am , a bold and deeply personal 27-track album anchored by the long-anticipated music video (out now) for its lead single, “Shela,” featuring Nia Pearl, Boohle, and Mano. Known for clean production and soulful, infectious grooves, Sam Deep showcases growth and versatility as the project shifts between emotive soundscapes and dance floor-ready anthems. With a powerhouse lineup of collaborators, Who I Am marks a confident new chapter and reaffirms his influence as a key architect of modern Amapiano.
Memphis rapper GloRilla released the music video for her single “Special” after a recent standout Bayou Classic Halftime performance. Directed by Troy Roscoe, the uplifting visual features Glo and dancers delivering affirmational choreography, multiple versions of her rapping in a locker room, and scenes of her celebrated on mock magazine covers. The video culminates with powerful athletic imagery, highlighting themes of confidence, self-worth, and identity, making “Special” one of her most personal records yet.
West-coast elites Hit-Boy and The Alchemist unveil the official video for “Doing My Best,” a highlight from their joint album and film GOLDFISH, now streaming everywhere. Produced by Hit-Boy, the track showcases both icons stepping from behind the boards to deliver reflective, gold-standard verses. The video reinforces the project’s energy as two of hip-hop’s most influential producers unite, proving once again that their coast-spanning chemistry results in something truly special.
South African singer-songwriter O’Hara continues to expand her artistry with “In My Zone,” a soulful new single rooted in honesty and emotional depth. Blending new age, R&B, and soul, she crafts a sound that highlights both vulnerability and strength. Born in George, Western Cape and now based in Johannesburg, O’Hara channels real experiences into raw, resonant storytelling. “In My Zone” invites listeners into a reflective, intimate space, serving as an empowering anthem about reclaiming focus, peace, and self-awareness.
“Burning Fire,” the first single from Misha and Grammy-nominated R&B singer BeMyFiasco’s upcoming 2026 EP, is a slow-burn R&B track built on sensual textures and rich, intimate production. BeMyFiasco’s soft yet powerful vocals intertwine with meticulous work from Misha and Evil Needle, capturing desire and anticipation. The song peaks with a playful, transformative breakdown. The duo, who've been collaborating since 2023, will support the release with a mini European tour across Amsterdam, London, and Helsinki.
L.A.-based singer, songwriter, and producer China Moses (daughter of jazz icon and multi-Grammy winner Dee Dee Bridgewater) unveils the visuals for her latest single, “I Can Be Happy (I Can Be Blue),” from her seventh and newest album, It’s Complicated . Directed by Youri Zakovitc, the heartfelt video follows China as she candidly explores the trials and tribulations of relationships, all set against a jazzy, catchy track she produced herself.
Legendary MC Chip Fu, of the 90s trio Fu-Schnickens, launches a new era after signing a distribution deal with Fat Beats. His first release under the partnership is “Warning,” a high-energy single reuniting him with NBA Hall of Famer and rap icon Shaquille O’Neal (their first collaboration since 1993’s “What’s Up Doc?”) The track drops with a new music video and limited-edition 7-inch vinyl, serving as the lead single for Chip Fu’s upcoming EP.
West-coast singer MAVRYCK steps into the spotlight with “Get Back,” a smooth, emotionally rich R&B single that highlights her distinct voice and rising star power. Blending vulnerability, groove, and empowerment, the track delivers a delicate yet commanding performance that lingers with listeners. With strong identity and clear potential, MAVRYCK proves she’s carving her own lane and positioning herself as a future force in R&B.
Rapper, singer and songwriter Elestee steps boldly into her season with Mentally I’m Here, a six-track EP blending mood, soul, and standout collaborations. Led by “ON A LOW” featuring Ayra Starr, the project explores love, vulnerability, and the chaos of modern relationships. From the hopeful opener “ON THE ROAD” to the aspirational closer “DESIGNER BABY,” Elestee showcases her evolution as a genre-fluid artist. It’s a vibrant, replay-worthy journey of ambition, emotion, and youthful introspection.