Tyla's Lagos Tour Date Removed Following Backlash Over Xenophobia Concerns

Tyla's scheduled Lagos stop on her A*POP World Tour has been removed from her official tour itinerary following widespread backlash from Nigerians over xenophobic attacks in South Africa. The GRAMMY-winning singer had initially announced Lagos as one of three African dates alongside Cape Town and Johannesburg, with the concert set for Dec. 22. Shortly after the announcement, social media users noticed the Lagos date had disappeared from the tour schedule while the two South African shows remained. As of July 31, neither Tyla, her management, nor the concert promoter had issued a statement to the press confirming whether the Lagos performance had been canceled or postponed.
The controversy quickly spread across X, TikTok, and Instagram, where many Nigerians argued that Tyla should not perform in the country while remaining silent about attacks targeting Nigerians and other African migrants in South Africa. Calls for a peaceful boycott gained traction, with author Solomon Buchi urging fans not to support the concert. Social critic and activist VeryDarkMan also threatened to mobilize his Ratel Movement to prevent the event from taking place. Others, however, defended the singer, insisting she should not be held responsible for the actions of her country's government or individuals. Nigerian activist Omoyele Sowore echoed that view, arguing that public frustration should be directed toward those responsible for the violence rather than the artist herself.
The debate also revived memories of Burna Boy's response to the 2019 xenophobic attacks, when he publicly condemned the violence and called for greater African unity before planned Africans Unite concerts in South Africa featuring him and Jidenna were ultimately canceled because of security concerns. For many Nigerians, Tyla's now-removed Lagos date became another flashpoint in the ongoing discussion over whether African entertainers should publicly address political and social issues affecting audiences across the continent. While the Lagos show has disappeared from the tour schedule, the broader debate over cultural boycotts, accountability, and pan-African solidarity remains unresolved.










